cat and mouse

I knew we were in for a visual fest when we received an invitation to join our friend Masa to visit a garden at the Daitoku-ji that is only open to the public for a short time in the spring and autumn.  I didn’t know that the visit would prompt a spontaneous game of cat and mouse.

graphic guide to Oubai-in

Japanese maples surrounding the bell tower at Oubai-in

It’s been a glorious few weeks. A streak of fine weather prolonged sakura season and the warmth prompted other spring flowers to swiftly come into bloom. I’m always awed by the urgency of spring. The Japanese maple trees were barren a few short weeks ago when we arrived. Now they all are displaying their bright green new leaves of spring. Pops of azalea blossoms and best- of- all -Chinese peonies are vie for attention too.

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The tiny blossoms of the maple cover an entrance gate of the temple.

 

 

Obaii-in was built in the 1500’s at the direction of a very wealthy family as a memorial to their deceased father.  It’s way  off the beaten tourist path so we had it almost all to ourselves with the exception of a few eagle eyed staff who roamed the grounds, knowing all too well, I’m certain, that people like me pose a real challenge to their rules.

 

I was dismayed to see a very visible “no photography” sign at the entrance of the temple. However, I was unable to restrain myself, nor did I try very hard when inspired, from taking photos of  the splendid buildings and gardens. An attentive  staff member spotted me and my i-phone at one point and walked over to politely but sternly admonish me.  From that point on we played a game of cat and mouse with each other.  She seemed to lurk around every one of the many corners, while I adeptly looked around to see if she was in sight, before quickly taking my photos and cooly slipping my i-phone into my jacket pocket.

I know not to take photos of sacred altars and certain works of art, but my bad-ass teen age self emerged in full power when restricted from taking a photo of the buildings or the gardens. I easily decided to disregard such an admonition and my sweet Japanese friend fortunately did not discourage me. The gardens were practically begging to be photographed. I heard them call to me. Each corner turned revealed a new vision of the spring life force as well as the simple beauty of Japanese design.

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As the Japanese do so well because of the influence of the tea ceremony, the layout of the grounds and gardens are  fashioned  to reveal only small parts of the entire scene at a time.  This slows down visitors and invites them to examine more closely what is immediate as well as to anticipate what surprises and delights might lie around the next bend in the pathway.

Obai-in contains a dry landscape garden covered with moss, designed by the most celebrated tea master Sen-no – Rikyu. The placement of the stones is symbolic.

Jikichu-Tei, dry landscape gatden designed by Den-no-Rikyu

What a wonderful visit. I felt my brain waves realign themselves while in that space. Playing my own little game of cat and mouse heightened my sense of adventure.

Kyoto offers an endless vault of these sort of unexpected experiences for which I will always be grateful. Despite the fact that I’m allergic to cats.

 

Dianne Vapnek

Dianne Vapnek

In an attempt to slow life's quickening pace, I'm writing to share my personal perspective on the aging process, its dilemmas, the humorous self-deception, the insights and the adventure of it all. I spent the bulk of my time in beautiful Santa Barbara, CA, but manage to get to NYC a few times times a year. I've been a dancer/dance teacher and dance supporter almost all my life. For the past20years, I help create and produce a month-long creative residency in Santa Barbara for contemporary American choreographers and their dancers. It's been incredibly gratifying. This year, I decided it's time to retire! Big change. I also now spend several weeks a year in Kyoto Japan, residing for several weeks in the spring and the fall. I've been magnetically attracted to Japan for many years. Now I live out a dream to live there part-time.

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